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Su Yu-Xin b. 1991

  • Overview
  • Works
  • Exhibitions
  • Publications
  • Press
  • Past work
  • Overview
    Su Yu-Xin

    Su Yu-Xin (b. 1991, Hualien) considers painting as a place where multiple disciplines and various perceptual capacities intersect. Painters have always played a vital role in the visual art industry, and the medium of painting reflects the discovery and re-invention of the material world. Hence, paintings bear witness to the history of the exchange between cultures and nature and project the painter's role through wars and migrations; they manifest territorial invasions, restitutions, the exploitation of pigments and their trades. While the history of painting often emphasizes the stylistic evolution of image production, the technology of color pigments also evolves contemporaneously. Su Yu-Xin collects, studies, and processes these color substances scattered on the earth's crust. From there, she invents a new order on the painting surface through drawing, compression, and accumulation. For her, such landscape painting is a geological practice of rearranging plants, minerals, organic and synthetic matters.

     

    Su Yu-Xin holds an MFA degree from Slade School of Fine Art, UCL, and a BA in Ink Painting from Taipei National University of Arts. Recent solo exhibitions have been held at Longlati Foundation, Shanghai (2023); List Art Fair Basel, Online (2020); and KuanDu Museum of Fine Art, Taipei (2019). The artist has an upcoming solo exhibition at Orange County Museum of Art in early 2025. Su has shown internationally in numerous group exhibitions including at Gagosian, Hong Kong (2023); Blum & Poe, Tokyo (2023); Beijing Biennial 2022, Beijing; Perrotin, Shanghai (2023); UCCA Dune, Beidaihe, (2021-2022); UCCA, Beijing (2020); and National Taiwan Museum of Fine Arts, Taichung (2018), among others.  In 2020, Su received the Huayu Youth Award Nomination, China. 

    Download Artist's CV (PDF, opens in a new tab.)
  • Works
    • Su, Yu-Xin, Bone Caves (California Coastline),, 2024
      Su, Yu-Xin, Bone Caves (California Coastline),, 2024
    • Su, Yu-Xin, The Unselected, 2024
      Su, Yu-Xin, The Unselected, 2024
    • Su, Yu-Xin, Copper and Sea Snails (California Coastline), 2024
      Su, Yu-Xin, Copper and Sea Snails (California Coastline), 2024
    • Su, Yu-Xin, The Sky Trades with the Land in Shallow Water (California Coastline), 2024
      Su, Yu-Xin, The Sky Trades with the Land in Shallow Water (California Coastline), 2024
    • Su, Yu-Xin, Sweet and Spineless, 2024
      Su, Yu-Xin, Sweet and Spineless, 2024
    • Su, Yu-Xin, What Is The Sky Made of, Other Than Its Blueness, 2024
      Su, Yu-Xin, What Is The Sky Made of, Other Than Its Blueness, 2024
    • Su, Yu-Xin, What Is The Sky Thinking, If Not the Light Leaving Its Body, 2024
      Su, Yu-Xin, What Is The Sky Thinking, If Not the Light Leaving Its Body, 2024
    • Su, Yu-Xin, A Chase for Treasure, 2024
      Su, Yu-Xin, A Chase for Treasure, 2024
    • Su, Yu-Xin, Shelling, 2024
      Su, Yu-Xin, Shelling, 2024
    • Su, Yu-Xin, Passing Through the Night, 2024
      Su, Yu-Xin, Passing Through the Night, 2024
    • Su, Yu-Xin, Space Glass and Meteorite in the Sea, 2024
      Su, Yu-Xin, Space Glass and Meteorite in the Sea, 2024
    • Su, Yu-Xin, Land Surveying, 2024
      Su, Yu-Xin, Land Surveying, 2024
  • Exhibitions
    • Precious

      Precious

      Su Yu-Xin 7 Oct - 17 Nov 2024
      Read more
  • Publications
    • Precious

      Precious

      Su Yu-Xin, 2025
      Hardback, 160 pages
      Publisher: Albion Publishing
      Dimensions: 29 x 29 x 2 cm
      Read more
  • Press
    • Su Yu-Xin’s “Searching the Sky for Gold” by Jennifer S. Li

      Art Asia Pacific
      May 21, 2025
    • The landscape artist who makes her paint from pearls, crystals and volcanic dust by Lois Beckett

      The Guardian
      May 4, 2025
    • ‘Painting is uniquely suited to house these air phenomena’: Su Yu-Xin's atmospheric worlds by Gabriella Angeleti

      The Art Newspaper
      February 22, 2025
    • 12 must-see exhibitions in and around Los Angeles during Frieze

      The Art Newspaper
      February 17, 2025
    • Su Yu-Xin’s material world by Matt Stromberg

      Art Basel
      February 3, 2025
    • Su Yu-Xin: Precious by Caterina Avataneo

      CURA.
      November 2, 2024
    • Artissima and all the beauty that is now in Turin: a daydream by Francesca Amé

      Vanity Fair Italia
      October 31, 2024
    • Su Yu-Xin at Albion Jeune by Paul Laster

      Artforum
      October 29, 2024
    • Materials and migration: a look into the world of artist Su Yu-Xin by Lucca Hue-Williams

      A Rabbit's Foot
      October 11, 2024
    • ANTI-FRIEZE: 9 FREE EXHIBITIONS TO SEE IN LONDON DURING FRIEZE WEEK by Lee Sharrock

      FAD
      October 6, 2024
    • London art scene weathers the storm

      Financial Times
      October 5, 2024
    • Local artists given pride of place at Tapei Dangdai fair by Lisa Movius

      The Art Newspaper
      May 21, 2024
    • Joseph Lee’s Top 5 Picks from Frieze Los Angeles Viewing Room 2024

      Frieze
      February 22, 2024
    • Emerging painters from the Chinese world by Alvin Li

      Art Basel Online
      March 8, 2023
    • New Currents: Taking On Tradition

      Art Asia Pacific
      November 7, 2022
    • 15 Artists to Watch in 2022 by Alexis Schwartz

      L'Officiel Art
      July 31, 2022
    • Yu-Xin Su

      Tatler Asia
      September 10, 2021
  • Past work

    Su Yu-Xin, With or without the sun (Su’ao-Hualien Roadway) (2021).  Sand, coral pigments, ferric oxide, white sugar, crystal dust, sulfur, soil, red ore, tourmaline dust, and other hand-made pigments on board.  225 × 130 × 54 cm.  Courtesy of UCCA Dune, Beidaihe.  © Albion Jeune and the artist. (Larger version of this image opens in a popup).
    Su Yu-Xin, To keep the water warm (2024).  Silicone malachite, silicone ore, green soil, conch shell, iwa-enogu, ocher, dirt, cochineal dye, shale, azurite, titanium dioxide, oil and other hand-made pigments on flax stretched over wooden frame.  223 x 140 x 5.6 cm.  © Albion Jeune and the artist. (Larger version of this image opens in a popup).
    Su Yuxin, Wine-dark Sea #2 (Elephant Trunk Tunnel) (2022).  Plastic powder, camphor tree lake pigment, white pearls, clam fossil powder, various colors of soil, hematite pigment, granite, lazurite, indigo lake pigment, calcite, synthetic mauveine and violet, and other hand-made pigments on flax stretched over curved panels.  320 x 180 x 5.5 cm.  Courtesy of Longlati Foundation, Shanghai.  © Albion Jeune and the artist. (Larger version of this image opens in a popup).
    Su Yuxin, Impression of Places (2022).  Lithargite (massicot), sulfur, white pearls, camphor tree lake pigment, sapan wood lake pigment, realgar, blue corals, hematite, malachite and other hand-made pigment on hand-shaped wood.  18 x 25 x 3 cm.  Courtesy of Longlati Foundation, Shanghai.  © Albion Jeune and the artist. (Larger version of this image opens in a popup).
    Su Yu-Xin, The Rearview Landscape, or a Trip of Ownership (2021-2022).  UCCA Dune, Beidaihe.  © Albion Jeune and the artist. (Larger version of this image opens in a popup).
    Su Yu-Xin, Dust that Rides the Wind (2023).  Longlati Foundation, Shanghai.  © Albion Jeune and the artist. (Larger version of this image opens in a popup).
    Su Yu-Xin, The Rearview Landscape, or a Trip of Ownership (2021-2022).  UCCA Dune, Beidaihe.  © Albion Jeune and the artist. (Larger version of this image opens in a popup).

    Su Yu-Xin, With or without the sun (Su’ao-Hualien Roadway) (2021).

    Sand, coral pigments, ferric oxide, white sugar, crystal dust, sulfur, soil, red ore, tourmaline dust, and other hand-made pigments on board.

    225 × 130 × 54 cm.

    Courtesy of UCCA Dune, Beidaihe.

    © Albion Jeune and the artist.

     

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